Symphony n°5

 


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M, an innovative software...

 In the early 1980s, the domain of music composition was on the cusp of a significant digital transformation. The rapid advancement in computer technology and the increasing affordability of digital equipment set the stage for a revolutionary shift in how music was conceived, composed, and performed. At the vanguard of this transformative period, Intelligent Music introduced "M," an innovative software that fundamentally redefined the methodologies by which composers and musicians engaged in the creative process. Developed by David Zicarelli, "M" integrated algorithmic composition with real-time interaction, providing an unprecedented platform for the exploration of musical possibilities. It represented a major leap forward, combining computational power with artistic intuition in a manner that was both accessible and profoundly inspiring for musicians of varying backgrounds. The Genesis of "M" "M" was the culmination of a collaborative effort be...
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David Cope's Influence on Contemporary AI Music Research

David Cope, a composer and computer scientist, stands as a seminal figure in the intersection of artificial intelligence (AI) and music. His groundbreaking work has fundamentally shaped contemporary developments in AI-generated music, eliciting both profound admiration and considerable controversy. By intertwining creativity with algorithmic processes, Cope has challenged conventional notions of artistic originality, compelling scholars to reevaluate what it means to compose music. This article critically examines David Cope's pioneering contributions to AI music, analyzes his enduring influence on current research trajectories, and explores the ways in which his work continues to shape the intricate relationship between technology and musical creativity. The Origins of Experiments in Musical Intelligence David Cope initiated his exploration into AI-generated music during the 1980s, a period when computer technology was still in its nascent stages. His fascination with algorithmic ...
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The Three Sins of Contemporary Music Since 1945

The trajectory of contemporary music since 1945 has been marked by radical innovation, artistic revolutions, and the relentless pursuit of novel sonic landscapes. However, this period is equally defined by ideological constraints that have profoundly impacted musical practices and aesthetics. Three major issues—or 'sins'—have come to dominate much of the contemporary music landscape since the mid-20th century: the erosion of sensual pleasure, the rise of dogmatism and intolerance, and the influence of crypto-communist ideology combined with historicism. These elements have fostered an environment that, while undeniably innovative, has often alienated audiences and marginalized certain forms of artistic expression. This essay will explore each of these dimensions in depth, assessing their impact on the evolution of contemporary music and their implications for composers, performers, and audiences alike. 1. Lack of Sensual Pleasure: The Ascetic Turn in Music One of the most perva...
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